Adam's Blog

I think it's really about time to accept red as my favorite color. I did this whole thing then thought, "crap, it's red again?"

Epiphany is for sale baby!

Since I am missing Wizard World Philly and the premier of my book, I will be doing $5 sketchcards for a limited time. My sketchcards are 3x5, done on Bristol paper, with Copic grey or color markers or gouche. When you purchase a sketchard you are automatically entered into the Most Outrageous Sketchcard Idea Contest. And with your sketchcard purchase, you can enter up to two additional ideas.

For example you may purchase a sketchcard of Elektra’s head, but you can submit your closet ideas for Poison Ivy spanking Batman with a Caladium or your other idea of Barack Obama giving Nancy Pelosi a table dance in Underoos. I don’t care! And if you buy five cards, you now have 10 additional entries—there is no limit. Now is the time to get your wacky, strange, off beat, kinky, or weird ideas out of your system and win something cool in the process!


First prize: An autographed copy of Epiphany and your sketch idea will be made into a 9x12 drawing and it will be digitally painted in Photoshop. Therefore you win the B&W lineart as well as the digital painting.

Second Prize: An autographed copy of Epiphany and your sketch idea will be made into a 9x12 con sketch (B&W Copic markers).

Third prize: An autographed copy of Epiphany and a sketchcard.


Purchasing a sketchcard is the ONLY way to enter the contest. All entries will be judged by me and the good folks at Terminal Press. Contest ends August 15, 2009.

To order send $5.44 via PayPal to adam@adamstreet.net and list your quantity, what you want sketched, color or black & white, your address and your additional outrageous ideas.

So what happens when you cross the worlds biggest black metal band with my art? Even I don't know the answer to that, but someone's gonna be wearing a thong. LOL! Actually when I was originally asked to contribute to the issue I was going to do a picture of the band. But when time became an issue I was told to go with what I know. And what I know is slave girls. ...thank you Princess Leia.

As a colorist I feel like a backup singer, or maybe the bass player when it comes to the creative team. But every now and then it's nice to sing solo.

I did these two pages for Fat Chunk: Zombie. When I agreed to participate in the anthology I was bummed when I was assigned only two pages. I was thinking, "what the hell can I do with a zombie theme in two pages?" Well, I decided to combine the theme with an Axe commercial. So there you have it, the new girl that's not quite like the others.

I cranked these two pages out one weekend, then I learned they pushed the book back a year. I should have went back in and fixed some of the obvious stuff, but I said the heck with it.

This is the cover to my new sketchbook. When I first started coloring this I did a cool background and I was going to hit the blonde with a spotlight. It bored me to death! So I decided to look at some of the vibrant art I like and I decided to change the palette. Thank god, it looks so much better this way.

I did a few pages from this issue also. It was cool because Dan Panosian drew eight pages and I colored his eight pages--Elizabeth Breitweiser colored the rest of the book. I got a copy today and it looked a little dark. I check my Photoshop setting and it was set on some weird setting. I changed it back and now the pages look like crap. Nice.

I was visiting blogs last night and went to Jason Seiler's blog. That guy always blows me away. It's bad enough he's an amazing caricature artist, but his painting skills are ridiculous. But anyways, newscaster week continues.

I googled news people while I was working on Skaar because I wanted ref for what a news anchor would wear. During my search I came across a pic and decided to caricature it.

Everything I've been reading lately is motivating me to vegetarianism. I'll still eat meat most likely, but it'll have to be clean meat.

I helped out on the Skaar Prologue. It was really cool because I am a huge fan of Dan Panosian. I colored about 2/3 of the book. Kelsey Shannon (who I'm also a fan of) colored the other portion.

I was reading Bridgeman's Drawing From Life book and came across a quote that I think is a good reminder for me.

"There should be a decided difference between the tones. The number of tones should be as few as possible. Avoid all elaborate or unnecessary tones and do not make four tones or values where only three are needed. It is important to keep in mind the big, simple masses and to keep your shading simple, for shading does not make a drawing."

George B. Bridgeman

This is the last and final poster for Terminal Press. This time I decided to do an experiment. Most cover artist I like say they do covers in two or three days, so I made myself do it over two days. I now understand why I enjoy being slow. LOL For the most part I'm happy with it, but there's a lot of those little things you catch after the fact that you didn't notice because you were crankin'.

I had the house to myself for about 30 minutes so I thought I'd do some sketching. I didn't use a white background like I normally do for quick sketches. I noticed a few weeks ago a lot of Gil Elvgren paintings that look like white backgrounds, had color in them. So I figure maybe I'll mix it up every now and then.

Though I added the content warning I still haven't sketched too many nudes lately. Now that my "regular" site is back up and running, I'll probably start putting more sketchies on here. ...once I draw some.

On Free Comic Book Day I picked up the Love and Rockets freebie. My favorite story in it is the one featuring Killer--a really stacked kinda ghetto Latina. Killer reminded me of a lot of different gals I used to come across in the "hood". So I decided to sketch her this morning, but I had to put in a gold tooth or cigarette or something! ...I couldn't help it. The real Killer is actually "normal" and cute.

I was going to color it with a single tone like the Love and Rockets style but I opted for this toned paper kinda thing instead. Probably should have went the other direction.

I intended for all the Terminal Press Hard-core posters to have a '70s vibe to them, but for some reason this one screams '80s horror movie to me. I looked at a lot of '80s horror posters while doing the Brom Kah one. Funny how the influence hit without me trying to do it.

I did a thumbnail in pencil, scanned it in, blew it up, and painted over it. Maybe all those Gnomon videos are paying off... This time 100% Photoshop.

I worked out in the middle of the afternoon today (which is an odd time for me), and I noticed this lady was dressed a little off. She had on workout clothes but her top was probably meant for a C cup, and she was like a DD! So needeless to say all sorts of stuff was poppin out. So this little sketch is a tribute to her. :)

This is also one of the few times I didn't do lineart first, I just started painting. ....a miracle.

Garrett asked me to do a poster (like my posters for Terminal Press) for his up and coming Brom Kah graphic novel. The idea sounds great, and when he told me I could illustrate the two evil female characters, I couldn't resist. I wanted to do the whole thing in Painter but I got about 25% of the way thru it and chickened out. Mainly because I couldn't find enough brushes I was happy with and got frustrated. But at least I can say I used both applications, instead of only Photoshop.